Use of Mask in Girish Karnad’s Play Tughlaq

Keywords: Mask, Symbolism, Irony, folk

Abstract

Girish Karnad is a multiple personality- a regional, national and international playwright, actor, film-maker and director. His plays have been performed all over the world and translated into many languages. For his works, Karnads has received a number of awards including “Gnanapeeth Award.” In Indian folk theatres, half-curtain is used to introduce a character. It shows a well as hides the face of the character. Mask is also used either to conceal or reveal a character’s reality. So the paper’s aims to study the use of a mask in Girish Karnad’s play “Tughlaq.” Tughlaq is the most complex and complicated of Girish Karnad’s works. This play is about the rash actions of Tughlaq which finally lead to his downfall. His followers fail to grasp his idealism with the result that they become his enemies. There is a faint comparison between Tughlaq and Nehru, as the idealism of the two leaders created only confusion and topsy-turvydom.

Article DOI : 10.5958/2347-6869.2017.00002.4

References

Oliver Roger W, (1979). Dreams of Passions, the Theatre of Luigi Pirandello. New York: Print.
Ramamoorthi, P. He that Playeth the Sultan: A study of Tughlaq” The plays of Girish Karnad. : Critical Perspective.
Shakespeare, William. (1966). As You Like It. London: The Syndics of the Cambridge UP.
Shakespeare, William. (1969). Twelfth Night. London: McMillian.
Use of Mask in Girish Karnad’s Play Tughlaq
Published
2017-06-23
How to Cite
P., S. (2017). Use of Mask in Girish Karnad’s Play Tughlaq. SOCRATES, 5(1), 14-18. Retrieved from https://www.socratesjournal.com/index.php/SOCRATES/article/view/282
Section
Language & Literature- English