Use of Mask in Girish Karnad’s Play Tughlaq
DOI:
https://doi.org/10.5958/2347-6869.2017.00002.4Keywords:
Mask, Symbolism, Irony, folkAbstract
Girish Karnad is a multiple personality- a regional, national and international playwright, actor, film-maker and director. His plays have been performed all over the world and translated into many languages. For his works, Karnads has received a number of awards including “Gnanapeeth Award.” In Indian folk theatres, half-curtain is used to introduce a character. It shows a well as hides the face of the character. Mask is also used either to conceal or reveal a character’s reality. So the paper’s aims to study the use of a mask in Girish Karnad’s play “Tughlaq.” Tughlaq is the most complex and complicated of Girish Karnad’s works. This play is about the rash actions of Tughlaq which finally lead to his downfall. His followers fail to grasp his idealism with the result that they become his enemies. There is a faint comparison between Tughlaq and Nehru, as the idealism of the two leaders created only confusion and topsy-turvydom.
Article DOI : 10.5958/2347-6869.2017.00002.4
Downloads
Metrics
References
Ramamoorthi, P. He that Playeth the Sultan: A study of Tughlaq” The plays of Girish Karnad. : Critical Perspective.
Shakespeare, William. (1966). As You Like It. London: The Syndics of the Cambridge UP.
Shakespeare, William. (1969). Twelfth Night. London: McMillian.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Saravanakumar P., Dr.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Revised Copyright/CC license that applies to all the articles published after 05-02-2017
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
Copyright/CC license that applies to all the articles published before 05-02-2017
Attribution-Non Commercial-No Derivatives 4.0 International (CC BY-NC-ND 4.0)
Author(s) will retain all the right except commercial and re-publishing rights. In the case of re-publishing, they will have to obtain written permission from the journal. Additional licensing agreements (Creative Commons licenses) grants rights to readers to copy, distribute, display and perform the work as long as you give the original author(s) credit, they can not use the works for commercial purposes and are not allowed to alter, transform, or build upon the work. For any reuse or distribution, readers and users must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holders. Nothing in this license impairs or restricts the authors’ rights. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.
Research Papers published in SOCRATES are licensed under an Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)